ENGLISH GEORGIAN
Activities

The Centre was founded in 2005, based on the unification of the G. Chubinashvili Institute of History of Georgian Art and S. Kobuladze Monuments Photo Recording Laboratory. The Centre is subjected to the  Ministry  of Culture, Monuments Protection and Sports of Georgia. 

One of the most important activities of the Centre is the study of

Georgian art of both ancient and modern times, as well as works of art of diverse   provenance, kept in museums and private   collections in Georgia. Research of the individual monuments of architecture and sculpture, mural and easel painting, graphic arts, applied arts and their groups, as well as of various artistic trends and events is carried out based on the methodology elaborated by the Georgian school of art history, taking into consideration the worldwide experience in the field, in possibly vast art historical and interdisciplinary context. 

Problems of protection and preservation of the cultural heritage properties is another significant field of activities of the Centre. Likewise important is generalisation of both local and international experience of the heritage preservation, elaboration of the theoretical conclusions and practical recommendations, critical discussion of the newest achievements and tendencies, dissemination of the positive innovations among the professional community and their introduction in practice. The Centre also undertakes art historical study of the sites to be restored and provides methodological supervision, assessment and monitoring of works. The Centre takes part in the recording of the movable and immovable heritage properties. 

In order to successfully perform its activities, the Centre carries out systematic planned recording (measuring, photo and video recording, etc.) of the heritage properties and works of art and maintains archives of the visual materials. 

One of the main goals of the Centre is popularisation of the works of art and of the knowledge about them. Therefore apart from the scholarly publications, it provides wide public with books, albums, booklets and other printed or electronic  publications  intended for the readers of diverse interests. 

The Centre keeps tight contacts with high education institutions – many of the Centre staff members are professors or lecturers of art history, while the library and archives of the Centre are always accessible for the postgraduate and doctoral students.

 

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