Giorgi Chubinashvili National Research Centre
Academic Researchers Bibliography

Irene Mamaiashvili

 

  • St. George Cycle of the Church Wall Painting in the Village of Tabakini, “Matsne”, 1979;
  • Representations of Historic Personalities in the Wall Painting of Tabakini St. George Church, “Sabchota Khelovneba”, N7, 1981;
  • For the Issue of the Late Medieval Georgian Wall Painting Iconographic Program, IV International Symposium dedicated to Georgian art, Tbilisi, 1989;
  • Tabakini Wall Painting (Folk Trend in the Late Medieval Georgian Monumental Murals), Tbilisi, 1991;
  • Wall Painting of the West Annex of Gelati Monastery the Blessed Virgin Church, materials of scientific conference dedicated to the 80th anniversary of Tbilisi State University, Tbilisi, 1999;
  • Coronation Composition in the North Porch of Gelati Monastery Main Church, collection of scientific articles of Tbilisi State University Art History and Theory Chair, N11, Tbilisi, 2000;
  • Wall Painting of the Altar Apse in the Blessed Virgin Church in Gelati,  collection of scientific articles of Tbilisi State University Art History and Theory Chair, N2, Tbilisi, 2001;
  • Iconographic Program Peculiarities of Gelati Main Church 16th c Wall Painting, “Literatura da Khelovneba”, N1, 2001;
  • The Proto-Gospel Illustration Cycle in the Wall Painting of Gelati Monastery Christmas Church, “Kartuli Khelovnebis Narkvevebi”, 1, 2001;
  •  The Blessed Virgin Acathistus Hymn Illustrations in the Wall Painting of Gelati Monastery Main Church, collected scientific articles, N3, Tbilisi, 2002;
  • The 16th c (1557-1565) Wall Painting of the Central Space of Gelati the Blessed Virgin Church, “Kartuli Khelovnebis Narkvevebi”, 11, Tbilisi, 2002;
  • Composition Structure and an Artistic Interpretation of the Altar Apse Wall Painting in Gelati the Blessed Virgin Church, Georgian Antiquities, 2, 2002;
  • The 16th c Wall Painting in Gelati Main Church (1557-1578), “Kartuli Khelovnebis Narkvevebi”, 1, Tbilisi, 2002;
  •  Stylistic Tendencies of the Post-Byzantine Murals in the Second Part of the 15th c Gelati Main Church Wall Painting,    collection of scientific articles of Tbilisi State University Art History and Theory Chair, N4, Tbilisi, 2003;
  •  Portrats historischen Personlichkeiten des 15-16 Jhs in der Muttergotteskriche des Klosters Gelati, Georgia, 2003;
  • Assumption of the Virgin Mary Text Illustrations in the Wall Painting of Gelati Main Church, Georgian Antiquities, N4-5, Tbilisi, 2003;
  • The North Porch Paintings of the Church of the Virgin in Gelati, 2003;
  • Some Artistic Issues of the Late Medieval Georgian Monumental Painting (the 16th c Wall Painting of the Central Space in Gelati the Blessed Virgin Christmas Church), “Kartuli Khelovnebis Narkvevebi”, III, Tbilisi, 2004;
  • Some Aspects of the Late Medieval Georgian Monumental Painting, an international conference – “Religion and Society in Our Lives”, Georgian Patriarchy, the Ivane Javakhishvili Institute of History and Ethnography, scientific foundation “Udabno”, Tbilisi, 2004;
  • For the Issue of the Signs of National Peculiarities in the Late Medieval Georgian Monumental Painting, interdisciplinary republic conference, Tbilisi, 2004;
  • The Donative Portrait of Melkisedek Sakvarelidze (for Dating of One Stage of  Gelati Main Church Wall Painting), collected scientific articles of Tbilisi State University, art history, 6, Tbilisi, 2005;
  • A Portrait of David the Builder in Gelati Main Church Wall Painting, scientific researches of Gelati Academy of Science, N10, 2005. 

 

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